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IMAGO AT "PLUS CAMERIMAGE”

 

 

November 28th, Lodz (Poland)

IMAGO invites you to participate in "PLUS CAMERIMAGE forum 2007" held during the 15 th edition of “Plus Camerimage – International Film Festival of the Art of Cinematography”, a festival that has established itself as a worldwide reference in film industry.

We look forward to see you there. Please check the forum discussion program below:

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PLUS CAMERIMAGE FORUM 2007

Festival Centre, Grand Theater

Wednesday, November 28 th

The "PLUS CAMERIMAGE forum 2007" will include two sessions:

First Session 10.00-12.00: IMAGO - Presentation

12.00-13.00: bvk - Presentation

Second Session 14.00-17.00: The 10th Muse through the Eyes of Themis

 

For the IMAGO presentation of

" The Model Contract / Guidelines for Authorship & Working Conditions " pannel participants will be:

•  Prof. Dr. Cristina Busch from Barcelona

•  Nigel Walters (BSC)

•  IMAGO Board: Andreas Fischer-Hansen (DFF), Tony Costa (AIP), Paul René Roestad (FNF)

 

For the bvk presentation of

“Problematic Aspects in Working Conditions and Systematic Development of Controll”

the reports will be given by:

•  Michael Schallon (bvk): “Working Conditions in the German Film Industry”

•  Dr. Michael Neubauer (bvk): “Planing and Installing Effective Controll on Working Conditions”

For the afternoon session we will provide a discussion about law problems in film:

“The 10th Muse through the Eyes of Themis”.

Pannel participants will be:

The Law Office of Adamczyk i Wspólnicy, Councellors at Law

counsellor Maciej Adamczyk - introduction to the lectures

advocate apprentice Lukasz Niedziela "Copyright and the art of photography in film"

counsellor apprentice Michal Trowski “ Film and the public domain”

Jost Vacano (bvk)

„The DoP as an Visual Author in Cinematography”

 

The Law Office of Cottyn-Lecoutre, Councellors at Law

Attorney Wojciech Dziomdziora “Audiovisual Work on mobile TV (DVB-H)”

The Law Office of Bukowski i Wspólnicy, Councellors at Law

attorney Lucyna Sas-Swadzba “Legal aspects of copying audiovisual work onto portable media devices”

 

Open Discussion

 

 



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