gave way to the formidable presence at the Manaki Brothers Festival of John Seale ACS ASC and Phedon Papamichael GSC ASC. The core of this unique Festival, the cinematographer, has returned. The President of Macedonia, Dr Gjorge Ivanov, spoke of his country building bridges of cultural cooperation between people and nations at the packed opening ceremony.
|John Seale ACS ASC given the acceptance speech
Photo by Nigel Walters
The Festival has pledged to retain its focus on cinematographers to celebrate “their precious artistic contribution.”
The charming town of Bitola, nestling in the Balkan Hills, was further enriched by the presence of representatives from Imago’s 24 Societies, including delegates from Japan, Australia, Canada, Mexico and Turkey . The Annual Conference, the IAGA ,was held for the first time in Europe and Bitola since Imago became a truly Global organisation in Jerusalem last year.
Imago delegates expressed their admiration for the selfless gesture of the Macedonian Professional Association in travelling earlier to Amsterdam to present a Lifetime Achievement Golden Camera 300 to Robby Muller BvK NSC. Despite his total incapacity he managed to beam a smile of gratitude from his wheelchair. The Award was presented by the Festival Director Blagoda Kunovski Dore, accompanied by its Artistic Director Gena Teodosievska. The two film critics and selectors have been the powerhouse behind the success of the Festival in recent years. A Master Class on the work and life of Robbie Muller was given at the Festival by his close collaborator, cinematographer Claire Pijman NSC. Unforgettably illustrated was Robbie’s pioneering use of multi cameras on Lars von Trier’s “Dancer in the Dark” scenes filmed using a hundred cameras.
To the many illustrious names who have received the prestigious Golden Camera 300 Lifetime awards including Francis, Ondricek, Nykvist, Yusov, Storaro, Ballhaus,Coutard, Carvalho, Alcaine, Pratt, Spinotti, Suschitzky, Zsigmond and Menzes , can now be added those of Muller and Seale. John Seale is the first Australian to be so honoured by Manaki. He and his wife Louise had undertaken the long journey from Sydney to a 20th Anniversary celebration in Rome of the launch of The English Patient, his Academy Award success from five nominations including Witness, Rain Man, Cold Mountain and Mad Max, Fury Road. No stranger to Master Classes his appearance in front of a packed audience, including the Imago delegates, was adjudged by the organisers the highlight of the Festival. At the close he mentioned that the week had been his most uplifting experience at any Festival for many years.
The presence of Phedon Papamichael ASC, GSC as Jury President and recipient of the Golden Camera 300 Award for an outstanding contribution to world cinema art, further enhanced the stature of the cinematographer at the Festival. Phedon can claim Greek, German and American connections. His father hails from Macedonia and he was fulfilling a promise to visit the Manaki Festival. He thanked Robert Naskov, President of the Macedonian Film Makers Association by saying “our unique opportunity as cinematographers is that we can transcend boundaries through visual storytelling”. In an emotional address he praised the warmth and friendship he had experienced in Bitola and the importance of the Festival to cinematographers.
His fellow jury members were Claire Pijman NSC, Alin Tasciyan, President of the International Federation of Film Critics and fellow cinematographers Vladmir Samoilovski from Macedonia and Gokhan Tiryaki from Turkey.
For the first time in memory all three recipients of the Main Competition Awards were present to receive their handsome Golden Camera 300. The happiness on the faces of young men at their early success as cinematographers was infectious. The Bronze Camera was awarded to the Danish cinematographer Mattias Troelstrup DFF for the French film “Bang Gang”- “ thank you for inviting me to this beautiful place” whilst the Silver went to the Ruben Impens for his creativity on Belgica. The surprise (and surprised) winner of the Golden Camera was cinematographer Jani-Petteri (J-P) Passi for the Finnish film “The Happiest Day in the Life of Olli Maki”. For Olli happiness eventually came despite being knocked out in the first World Championship Boxing match to be held in his country. A Finnish happy ending for its cinematographer’s first feature film.
The Laureate of the “Big Star” Award for Exceptional Results was given to the British Producer, Simon Perry CBE by Gorjan Tozija. The world renowned Perry had recognised the talent of the Macedonian director, Milco Mancevski and stood firmly and confidently behind the most successful of Macedonian films, “Before The Rain” shot by Barry Ackroyd BSC.
|John Seale receiving the Camera 300 from the hands of the Macedonian President Gjorge Ivanov|
The Imago IAGA in Bitola was held alongside the Festival and proved constructive and fruitful. The Iaga for 2017 will be held in Helsinki and is expected to run in conjunction with the first Imago Awards. All delegates were grateful for their reception and all aspects of the organisation arranged by the Macedonian Professional Film Makers. The Manaki Brothers Festival is worthy of support by a wide section of Film Makers. Almost 100 films were in competition shared amongst eleven Festival programs. The winner of the Small Camera 300 Award for the short film competition went to cinematographer Luca Coassin from France, for the film “Le Parc”. Next year the Manaki Festival is expected to be held in the last week of September. Make a date to be there! You will not be disappointed.
Nigel Walters BSC
Left picture: Nigel Waletrs and John Seale holding up Milton's Statue